It always
irritates me when people are counting Rollercoaster as a disaster movie. It's
not. With that logic we should call Dirty Harry a disaster movie. Or The
Laughing Policeman. It has elements that would make it fit in as a disaster
movie: a star-studded seventies thriller, a scene with some destruction. But
that's it. Like Two-Minute Warning this is a good old thriller, and actually a
damn fine one - even if I have one big complain about it. But more to that
later on in the review.
George
Segal is safety inspector Harry Calder, a man who has two problems in life: to
stop smoking and to shut the fuck up. After a terrible accident - really a
sabotage - happens at a rollercoaster, killing lots of people, he think there's
something fishy going on. When a fire starts at another amusement park he
really puts two and two together and gets himself involved in what is a case of
blackmailing of five huge entertainment companies, all of them owning amusement
parks. Soon he's up against a terrorist (Timothy Bottoms) who stops for no one,
and now it's a personal game of cat and mouse...
What's the
bad thing about this awesome set-up? I think you might have guessed it already.
They put the most spectacular, violent, expensive and cool scene in the
beginning - when the first bomb goes off and launches a dozen innocent life's
to their death! Watch out for some nice dummy deaths here! It's a great
sequence and it's a real shocker to start a movie with. Pity it all goes
more...low-key from that, into a very well-written but not so spectacular
thriller that lives on good dialogue and a wonderful cast. If you except those
ingredients it will be no disappointment, but I remember as a kid watching this
for the first time and slowly realized that "Yeah, it won't be any more
violent than that first scene...".
I've a big
boy now and I've learned to love the story and especially the very fine
performance by handsome George Segal, who manages both to be a funny dude and a
good typical seventies hero at the same time. He's cynical, human and witty. The
whole movie is packed with good actors, and the usual one-location casting of
Henry Fonda as the president... sorry, the boss of Harry Calder. Watch out for
Helen Hunt, Steve Guttenberg and Craig Wasson in small parts - Helen as
Calder's daughter and it took some time for me to recognize her. Richard
Widmark, always a reliable tough guy, has a lot of good scenes opposite Segal.
Director
James Goldstone, who later directed the mega-flop "When Time Ran Out..."
for Irwin Allen, a very generic but still quite fun volcano-movie, does a good
job here with establishing the characters and maybe mostly creating a sense of
uncertainly around the calm, calculating terrorist played by Timothy Bottoms. I
never grow tired of movies set in the seventies, and Goldstone both catches the
grittiness that we love so much, but also that Disney-vibe of that
"everything is okay" and "we're having ugly but still cool
clothes."
The live
performance by Sparks
is always awesome in a slightly outdated way. Cool band, I have to agree on
that.
Rollercoaster
is a good thriller which begins on the top and slowly works itself to the
bottom - but in a good way. The game between Segal and Bottoms is the highlight
of the movie, not counting the dummy deaths of course!
3 comments:
"this is a good old thriller, and actually a damn fine one"
Any political stuff in this film?
"Steve Guttenberg"
Member of the secret sect stonecutters!
"around the calm, calculating terrorist played by Timothy Bottoms."
Bottoms as the badguy...?
Sounds weird....
Thanks, Ninja...another great 70´s thriller to look at.
Megatron
Not seen this but it got me thinking that Rollercoasters make for an unusual location within genre film despite their potential. The films that immediately spring to mind are Nightmare City and one of the Final Destination series (number three though despite enjoying them all they do seem to blur into one somewhat).
Nightmare City- great roller coaster dummy death. Wonder if there are enough films to come up with a rollercoaster dummy death theme week.
Article on rollercoasters in film here
Though I suspect this is a far from comprehensive look at the subject as, for a start, they do not mention Nightmare City.
Saw this originally in 'Sensorround', a novelty sound process that shook theater seats. Because 'Earthquake' was also released with this process, some folks figured this was also a Disaster movie like earthquake.
I agree that this is a well written thriller and the biggest sensory thriller occurs at the beginning.
I love Widmark in this. He's always great.
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