Timothy
Dalton is still a criminally underrated 007 and Licence to Kill also became his
last adventure as the slightly psychotic British super agent. I'll admit that
Dalton never felt comfortable when it came to the comedy, the one-liners, he
almost looks a bit embarrassed uttering cheap jokes and sexual innuendos, but
when it comes to action and drama he was brilliant (Dalton much later proved to
be very funny in, for example, Hot Fuzz)! After feeling a bit out of date (but
still good), the Bond-franchise finally entered the more gritty and violent
eighties action-style here, and that grittiness was something we shouldn't see
again until Daniel Craig took over the part after Pierce Brosnan.
After
finally meeting the girl of his dreams, Felix Leiter (David Hedison) weds her
with the help of his good friend Bond (Timothy Dalton), but the happiness lasts
just a few hours until his bride is killed and himself brutally chomped by on a
white shark! Bond gets very, very, very angry and sets out on his own personal
revenge adventure - and gets his licence to kill revoked by M! This doesn't
stop him to go to Mexico
and at the same time stop the biggest drug lord in the world, Sanchez (Robert
Davi) - the one behind the crime against Leiter!
This have
happen a couple of times before and after, going back to the roots that is. I
think the first time was with Live and Let Die (almost a sibling to this movie,
but more on that later), then in For Your Eyes Only and later with GoldenEye
and of course the whole Daniel Craig-business. Then the franchise will jump the
shark as usual, something I don't mind really. That's just fun. But Dalton never jumped the
shark, he began as serious Bond and ended as serious Bond and Licence to Kill
is without a doubt one of the finest in the series. Shot on a much lower budget
than the earlier movies and in just two countries, the US and Mexico
(except some exterior shots in the UK ) - so it's not especially exotic.
Instead it's the most American Bond-movie so far, with a story that reflects
reality a bit more. No one is taking over the world, it's just a revenge tale that goes over to
stopping a drug lord from smuggling cocaine mixed with gasoline.
Like in
Live and Let Die David Hedison is back as Felix Leiter, they're chasing a drug
lord (dropping the usual story of world domination), and both Sharkey in
Licence to Kill and Quarrel in Live and Let Die is very similar characters. Licence
is also one of the few Bond-movies that makes a reference to his wife who got
killed in Her Majesty's Secret Service. Ah, and both movies has a graphic scene
of a man exploding from air pressure! This
might of course be a coincidence, but I think the producers looked back to find
something more modern, something that would attract today's audience and not
their mother and father. This just didn't work anyway, and Licence to Kill
became a flop in the US
- where a success is very important, and then followed eight chaotic years
until a new Bond-movie was released - the longest gap ever in the series.
Even if
it's not high on action it has a final that's my favourite for several
different reasons: it's set in a real world, it uses real stunts and not a lot
of back projection and is packed with action and explosions. This chase, with
cars and trucks, actually looks dangerous and it's one of John Glen's finest
moments as an action director. The lamest thing with the film is the
pre-credits action scene, but instead it's connected deeply with the rest of
the story and works fine because of that - but still... catching a small sports
plane with a wire isn't what I call spectacular.
Personally
I think this is a brilliant action movie. It's nice to see something rooted
more what's happening in real life, even if it's on the same level of
absurdness as some of the other Bond-movies - for example the silly x-ray
camera and some of the very dated jokes. But the nastiness is there, the gritty
violence and cynical view on the world. And as every action movie from the
eighties it even have ninjas! Brilliant - and one of them is played by Mr
Eighties Evil Asian Guy himself, Cary-Hiroyuki Tagawa! And hey, with a
supportong cast consisting of Wayne Newton, Don Stroud, Everett McGill and
Benicio Del Toro, it just can't go wrong! Robert Davi is also one of the most
convincing and complex Bond-baddies ever, and he's super.
Awesome
stuff. Really.
3 comments:
I agree License To Kill was ahead of its time in giving us a more 'real world' Bond.
Good point about the finale, it's a great action sequence. Dalton's Bond era, in my opinion, has some of the strongest stunts in the whole franchise. All the better for being actually performed, than blue-screened and CGI'd like they would be in a few years time.
"Timothy Dalton is still a criminally underrated 007"
"and that grittiness was something we shouldn't see again until Daniel Craig took over the part"
Great analyze ninja.....I never thought about that before.
Dalton was ahead of his time, especially now when Craig is Bond, post Bourne etc.
"(Dalton much later proved to be very funny in, for example, Hot Fuzz)!"
I always liked him as cartoonish bad guy in The Rocketeer (1991).
"Ah, and both movies has a graphic scene of a man exploding from air pressure!"
Yeah....but Licence to kill has a much nicer scene.
"Mr Eighties Evil Asian Guy himself, Cary-Hiroyuki Tagawa!"
Love him, watch an episode of Baywatch...he´s great.
Great review ninja.
Megatron
I've always thought Dalton made a great Bond too, even though the scripts sure didn't do him any favors. The way Flemming describes Bond in the books matches Dalton perfectly. I'll have to revisit this one soon.
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