Albert Pyun
is back in the director's chair in Kickboxer 4: The Aggressor, which also
introduces Tong Po (this time played by Van Damme regular Kamel Krifa) back
into the Kickboxer-saga. This means several things - It was probably shot very,
very fast, it features at least one of Pyun's "own" actors, this time
Nicolas Guest and, as usual, an interesting musical score by Tony Riparetti.
For us "pyunboys" this is good stuff, we want it to be this way. It's
like meeting old friends once again, it's safe and we know what we're getting.
It has a
good start, a typical Pyunginning. A voice-over, someone recollecting the past,
it's dark and edgy compared to part 3 and in a nice montage from the first two
movies we learn how David Sloan (good ol' Sasha!) now is in prison after being
wrongfully accused of killing a drug lord (well, he DID killed a drug lord and
tried to take the body from Mexico to the US, so maybe he's guilty anyway...).
Now he gets a chance to get out with helping the cops to go undercover and once
and for all take down Tong Po - who also happens to have kidnapped his wife!
David must now enter an illegal tournament and kick some ass once again!
Pyun really
tries hard with his meager budget to go back to the seriousness of the old
movies and he almost succeeds! The first part is damn fine, with a good
performance from Sasha Mitchell and some short but effective burst of violence.
Tong Po is this time even more over-the-top
(and with a less effective make-up), a comic book villain played with a sense
of humour. Here another of Pyun's trademarks shows up: the quirky, off-beat
comedy - which is an odd thing in a movie like this, but when the budget is so
low and the shooting schedule probably was shorter than a normal working week,
it just adds some odd charm to the story. The scene where Tong Po tries to play
sitar is both fun and unexpected.
My biggest
problem with Kickboxer 4 is the last half hour. I'm pretty sure it just wasn't time to choreograph and shoot a better fight, but even with Pyun's standard it's pretty weak - and
sloppily made. After some slow-moving pre-fights in the main arena, the end fight is basically David
and Tong Po stumbling around in the garden (and on a dinner-set long table) in
a very not-so-impressive "fight". It just doesn't seemed to had been time for much rehearsals... I'm a big fan of Pyun and very
forgiving because I know under which circumstances he worked, but I know he can
do better than this! The rest of the film is packed with stylish
cinematography, some imaginative directing and a decent cast.
But what
makes it interesting for us pyunboys is the atmosphere. The editing, the music,
the noir-ish voice-over in the beginning. That special, almost surrealistic and poetic
form of filmmaking that Pyun is unique for. I doubt others will see it, but we
who have lived with the guy for our whole lives can smell it, sense it. That's what makes even a very generic kickboxing-film like this interesting.
6 comments:
This is my favorite of the Kickboxer series. It's got the right mix of gritty and weird humor, even though it does seem a bit jumbled at the end. IIRC they kill off David Sloan in a newspaper headline in the next film, which is also hilarious.
The last 30 minutes is by far the weakest part of the film. But I liked it!
haha! Ninja you beauty. Awesome series of reviews. Now looking forward to a review of Bloodfist 6: Ground Zero :D
Also, how about one on Mean Guns since you seem to be in a Pyun mood?
Man i love this blog. Full on nostalgia happening now. Thanks for all your effort.
Thank you! :)
I'm waiting for the complete Bloodfist franchise on DVD, so Bloodfist 6 might happen! Is it your favorite?
I've been thinking of Mean Guns for a while. One evening it might be a perfect movie to watch. I like it a lot.
"Pyun really tries hard with his meager budget to go back to the seriousness of the old movies and he almost succeeds!"
Sounds like a smart move.
"Here another of Pyun's trademarks shows up: the quirky, off-beat comedy - which is an odd thing in a movie like this, but when the budget is so low and the shooting schedule probably was shorter than a normal working week, it just adds some odd charm to the story. The scene where Tong Po tries to play sitar is both fun and unexpected."
Odd choice of instrument......but is it better then Steven Seagals country songs in Fire Down Below (1997)?
"My biggest problem with Kickboxer 4 is the last half hour. I'm pretty sure it just wasn't time to choreograph and shoot a better fight, but even with Pyun's standard it's pretty weak - and sloppily made. After some slow-moving pre-fights in the main arena, the end fight is basically David and Tong Po stumbling around in the garden (and on a dinner-set long table) in a very not-so-impressive "fight"."
That doesn´t sound too good.....the reason I mostly watch these films, is because of the chance to see some nice fighting.
"But what makes it interesting for us pyunboys is the atmosphere. The editing, the music, the noir-ish voice-over in the beginning. That special, almost surrealistic and poetic form of filmmaking that Pyun is unique for. I doubt others will see it, but we who have lived with the guy for our whole lives can smell it, sense it. That's what makes even a very generic kickboxing-film like this interesting."
Damn ninja.....you really dig this Pyun guy...?
Well, I might have to check out this one out, and other films by Pyun.
Good review, and thanks ninja.
Megatron
I used to love Bloodfist VI but no idea how it'll be today. Still, the Dragon saves America from nuclear devastation if i remember correctly so it can't be all bad :) Also had a huge crush on Cat Sassoon. So hot as the villainess.
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