Don't let
the giallo-esque title fool you, The Devil with Seven Faces is far from an
murder mystery and yeah, I would say it's a completely different genre. The
title might fool us, but don't get scared away from this pretty standard but
well-made crime-thriller directed by gun-for-hire Osvaldo Civirani. He dabbled
in every genre possible, from pepulm to erotic, but I think this was his only
adventure into crime. Not a bad little movie either, but I'll get back to why
it's bad and why it's not the best movie ever made either.
Carroll
Baker is Julie, a normal girl trying to live a normal life - until suddenly
several strange men is starting to stalk her, taking photos of her and behaving
very badly. Thankfully she has two men to do the protecting, her lawyer Dave
(Stephen Boyd) and her new boyfriend Tony (George Hilton). After a while they
understand what has happen. Julie's sister Mary is accused to have stolen a
million dollar diamond on London
and other criminals thinks Julie is Mary! Soon her life is at stake and
everyone around her lives more and more dangerous, and only Julie can bring
back the diamond from her sister and make the terror stop.... or?
Or? Yeah,
that's the key word in most Italian thrillers from the 70's and this is no
exception. It actually has a form of giallo-esque atmosphere, which is also
helped by the groovy score, but the movie itself is one of those twisty
caper/heist-thrillers, but from a different point of view. This is a quite
original take and the story more or less works by itself because the set-up and
concept is so good.
The best
thing with this film is of course the actors. Caroll Baker is always excellent
and works fine in the lead as the lady in need, Luciano Pigozzi has a smaller
part as a baddie but is always good. George Hilton, maybe a little bit on
routine here - remember he made tons and tons of giallos and other
crime-related films during the 70's and this was probably just one in the
bunch, another paycheck - even if the Amsterdam-location must have been a nice
addition to the job. What makes me really happy is the presence of Stephen
Boyd. I had no idea he was in the movie and he's nice to see him so relaxed and
cool - compared to all the big budget historical extravaganzas he made in Hollywood . He's a
splendid actor, VERY underrated and fits good in this form of film. Like so
many other former Hollywood actors who got older he did a lot of European
movies during this time, but never became that big in Italy .
I wish I
had more to say about The Devil with Seven Faces, but I don't. Well, yeah...
the reason why it's not the best movie ever made is that everything smells like
a gun-for-hire production. There's no personality in the production, like
everyone was there to get their pay check and that's it. Even the action
scenes, especially the car chase, is very sloppily made and relies mostly on
speed-up footage of cars chasing each other, and it NEVER looks good. I can't
imagine why they couldn't find another solution, or just spend some more time
shooting the scene - angles could help a lot making it look faster and more
dangerous. Now it's just point-and-shoot and it's crap.
4 comments:
I've been planning on seeing this because of Carrol Baker. I recently watched an Osvaldo Civirani spy film with Roger Browne last weekend, Operation Poker.
"which is also helped by the groovy score"
That´s what I like about old eurocrime, giallos etc....most of them had really nice soundtrack...I can understand why Tarantino keeps reusing the tunes, music in his films.
"at least for good old Stephen Boyd's sake."
I didn´t know who he was before your post...I suppose I should see this one because of him.
Good review....too bad the film was so bland.
Megatron
There is indeed little to say about this. It is a pretty low key heist caper. I personally find it quite endearing and love the locations: Amsterdam I believe.
Somethings didn't work as well as others and the eurocrime element lacked the pace or action of some titles in the genre but it is a film I have looked at a few times over the years so it certainly does something right.
The score incidentally felt very familiar with a number of music segments like riffs on existing scores.
Post a Comment