The truth
be told, I don't want to tell you anything about the story of Ratline. First of
all because it's an original story that actually is original for real, and not
inspired by countless other genre movies. Second, it's far to complex to just
write down a few words about. It's so much more than gore and nudity, but
Ratline includes both of these fan-favourites - without being juvenile and
talentless like for example the movies from another famous indie-director,
Andreas Schnaas. I'm very new to the work of Eric Stanze, the director of
Ratline, but last week I saw Savage Harvest - his first movie - and now his
latest. What surprises me is how similar they are in atmosphere. Stanze has a
very distinct style, and now it's more mature, more or less fully developed. I
can't wait to see the movies he made in-between.
Nazis + Occultism = instant interest from me. And I'm not alone in that. It's a
shameful fetish most of us enjoy reading about, watching movies based on and
just spending a couple of hours on the web reading fucked up site about
conspiracy theories about the occult nazis can keep me awake all through the
night. Richard Stanley's The Secret Glory is a must-see documentary about the
subject. The McGuffin in Ratline is the infamous Blutfahne, stained by the
blood of the early Nazis during the Beer Hall Putsch in 1923. An object said to
have enormous powers, especially in combination between ancient occult rituals
and quasi-science. It's here we meet Frank Logan (Jason Christ), a man with one
single goal, to find the flag and continue the that was started in the 1940's.
This leads him to a small mid-western town where he instantly gets interested
in Crystal (Emily Haack), a lesbian on the run after a drug-heist gone wrong. And
from there everything just goes downhill...
Ratline is
an interesting and unique mix of horror, thriller and drama - but to be fair,
it's mostly a very intelligent and emotional drama with touches of gore, nudity
and Nazi iconography. Don't let this scare you away, because 105 minutes goes
very fast, mostly because of engaging characters and a very unpredictable
script (written by Christ and Stanze). The
naturalistic acting and realistic locations gives Ratline an aura of the
American seventies, or the realism of Larry Clark and Harmony Korine, but
without even wandering over the border of pretentiousness. John Cassavetes also
comes to mind, with the similar themes and the same actors refining their works
from film to film.
Talking
about the actors, they're all very good. From Jason Christ to Joseph R. Engel,
but the shining star is Emily Haack. She's an amazing character actress, who
plays a character that feels 100 % realistic. She never fools us that this is a
movie, she tells us that this is real. And for me, that's god damn real acting.
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