First of all, sorry for being so lazy with writing reviews. But I promise you, my job takes a lot of time and when I get home I rather sit and talk with G than watch a movie. Don't worry, it's just a phase.
What's not a phase is my love for George Lazenby. Not only did he participate in one of the best James Bond-movies ever, he's also a criminally underrated actor. Today I had the pleasure to meet him at the Scandinavian Sci-Fi, Game & Film Convention in Göteborg and what a gentleman he is. A dry sense of humor and a very friendly attitude to his fans. Because I'm a geek I had to take a photo of him, a photo he later signed for me:
This is why I want to recommend you some review I've written earlier related to Lazenby. For example the masterpiece, one of the best giallos ever made, Who Saw Her Die? I've also written three texts about his trilogy of Golden Harvest productions: The Man from Hong Kong, Stoner and A Queen's Ransom. The first one is an action masterpiece, the second one is very cool and the third one just OK - but Lazenby is always worth watching.
Please don't give up on me. I will return to form sooner or later :)
Saturday, March 31, 2012
Thursday, March 29, 2012
The Crimes of Petiot (1973)
I'm pretty
fond of the giallo-lookalikes that the Spaniards produced during the seventies,
often with Paul Naschy in the lead or in a supporting part. The Crimes ofPetiot is another of these "Spanish giallos", and this is quite an
original thriller with some ideas I haven't seen in similar movies before this
one. I'm not sure it's been released on DVD or easy to get VHS anywhere, so I
had to watch a subtitled bootleg. But this is one of those thrillers that
deserves a restored, English-friendly release.
Set in a
snowy Berlin ,
The Crimes of Petiot tells of a sadistic serial killer in a black coat, gloves
and hat who executes - with a gun - young loving couples while getting
nazi-flashbacks! The killer also films his evil deeds and send the filmed
material to the police! A journalist, Vera (Patricia Loran) takes interest in
the case and starts her own investigation. She involves her antique-dealing
boyfriend Boris (Paul Naschy) and a couple of other friends. During a stake-out
in a park the killer attacks them, but doesn't kill them. Instead he drugs them
and leaves a message - he will kill them one by one when they least expect it!
The Crimes
of Petiot might not be the smartest thriller in the world of European cinema,
but it's not bad. It takes the plots and makes everything so simple - too
simple - without any complications and pretends to be serious - but in the end
it's just another cheap giallo-rip off with a few very good ideas. The lack of
knives and other sharp objects makes it a not so bloody movie, but the
executions is powerful and the nazi-flashbacks makes it even harder to watch.
It's also a lot more classy than the director's, José Luis Madrid, earlier collaboration with Naschy, my
personal favourite and sleazerpiece Seven Murders for Scotland Yard, but also
looses the exploitation-vibe that we all loves so much.
What feels
fresh, for it's time, is the theme of the murders and the snuff movie aspect of
the show. The script is filled with twists and never gets boring - and I also
like the idea of a female journalists that involves her friends and lover in
the case, which somehow seem even more realistic than just keeping the case for
yourself like in every other murder mystery. This is more like Woody Allen's
brilliant Manhattan Murder Mystery than Deep Red, if I can make that comparison
- but without the comedy.
Maybe a
movie who concentrates more on the plot twists than characters, which means
that the actors more or less seem to be left alone with their characters, it's
surprisingly effective. Especially Naschy, who as usual gives a lot more energy
to his performance than he probably had to. With small gestures and a low-key
performance he's the highlight of the movie - without casting a shadow on the
other talents.
I
understand my review is... all over the place, but it's because it's hard to
evaluate The Crimes of Petiot. It's original and still quite generic, with
Naschy stealing the show. But it's hard to avoid mentioning that it has a lot
of very original and interesting ideas and is competently told by the director
and screenwriter José Luis Madrid. I would suggest you give it a try and then
tell me what you thought of it. Because I liked it, but maybe I'm wrong as
usual?
Saturday, March 24, 2012
Wednesday, March 21, 2012
The Passage (1979)
There's two
mysteries in the world of cinema for me: 1. How did John Barry end up with
directing Saturn 3, a job Stanley Donen (of all people) took over after a shirt
time and 2. Why did Maurice Binder produce J. Lee Thompson's The Passage? None
of them are famous for either their directing duties or being a producer, and
both movies are exploitative high profile flops! And I like both of them also,
which might not be surprising for you who read Ninja Dixon from time to time. I
have a tendency to find something good in many movies.
The Passage
is an important part of the memories of us who grew up during the eighties and
hanged around video stores. The iconic cover with Malcolm McDowell looking
through binoculars has followed me for many years, and even if the Swedish tape
seemed very cut it was a good, memorable movie. I've been wanting to see it
again for many years, but always missed it when someone was selling the Spanish
DVD - but during my last trip to Thailand I found it and got a chance to watch
it again after all these years.
While the
movie never comes off as sensational or unique, The Passage has been unfairly
bashed over the years by people who probably expected something larger,
grander... maybe classy? The cast, from Anthony Quinn and James Mason
Christopher Lee and Malcolm McDowell - and even the always excellent Michael
Lonsdale (now a religious nut in his homeland France) - brings an aura of
quality to the project about a Basque shepherd (Quinn) taking the job of
bringing a family over the mountains into safety in Spain, hunted by
Gestapo-psycho McDowell. The story itself is pretty straightforward with some
action scenes from time to time (often quite bloody and graphic) and a lot of
breathtaking exteriors.
I'm not
sure, but the presence of McDowell feels like an extension of Caligula, with
some gratuitous sex (including a jockstrap with a swastika on). Maybe McDowell
deliberately tried to break his moral barriers during this period in these
weird European productions? Some might say that he's chewing the scenery, but I
think he's quite good - and not in an overacting way. The only one working on
routine is Quinn, which doesn't mean he's bad - but we've seen it before many
times. So even the laidback performance by Mason, a man who's never done a bad
job in his whole life - but here probably just collected the paycheck. One
piece of odd casting is Kay Lenz in a smaller part. I never seen her as a
dramatic actress, and even if she's there to look good and show her boobs she's
not bad at all. But I'm not buying that she might be interested in the 100
years older Quinn.
J. Lee
Thompson here made his last really good movie. I think 10 to Midnight and The
Evil That Men Do is good, and even King Solomon's Mines has its moments - but
when a man ends his career with the deeply racist and boring Kinjite: Forbidden
Subjects it feels like he should have retired earlier. In The Passage he gives
us some good and violent action and an edgy handheld camera that feels slightly
before its time, and I prefer to delete Kinjite from my memory and pretend he
always was as good as in this movie.
Tuesday, March 20, 2012
I'm back!
So, I'm back from Thailand (and Cambodia) and it has been one magnificent trip! Not just because I've visited some places I always wanted to see, for example Angkor Wat and The Thai Film Archive, but also met friends and some of my favorite Thai actors and filmmakers. I will hopefully write more detailed about my meetings and experiences on The Mee Noi Thai Movie Review sooner or later, but here's some of the people I met during the two weeks away from cold Sweden:
The one and only Christoph Klüppel, who I made a five part interview with here!
Pawana Chanajit, the Pearl of Asia! A legendary actress from Thai and Hong Kong cinema!
My big favorite, Sombat Metanee! What an honor to meet this man!
Cult movie director and producer Sompote Sands! What a life this guy had so far!
...and last but not least, Yodchai Meksuwan - another Thai movie legend and excellent actor!
The one and only Christoph Klüppel, who I made a five part interview with here!
Pawana Chanajit, the Pearl of Asia! A legendary actress from Thai and Hong Kong cinema!
My big favorite, Sombat Metanee! What an honor to meet this man!
Cult movie director and producer Sompote Sands! What a life this guy had so far!
...and last but not least, Yodchai Meksuwan - another Thai movie legend and excellent actor!