Maybe it's
a coincidence, but I can't get Sledgehammer out from my DVD-player. It took me
four days to watch it, not because it was bad, but because I just started to
watch it in the last minute before doing something else. And now it's stuck.
It's sitting there like a damn Jimmy Hoffa, frozen for eternity in cement. I
have a feeling it want to be loved, it want me to respect it. And dear
Sledgehammer, don't worry. I like you - more than you think.
The first
movie from cheapo director David A. Prior, Sledgehammer actually quite well
fits in to the rest of the slashers being released around the same time. The
only thing that differs it from the others is that it's cheap. Very cheap. Shot
on some kind of video camera in David A. Prior's apartment - with exteriors
shot somewhere else. Starring friends and - as usual - his brother, Ted, in one
of the leads. Most of the time it looks like a porn movie, especially a gay
porn movie because all the male actors are muscular hunks or with massive moustaches
- I would say we have one muscle daddy in the making there also.
The story
is like everything you seen before: ten years ago a little boy killed his
mother and her lover (she giving him a blowjob of course) and then disappeared.
Now a bunch of nice young people with fluffy hair cuts and pulsating biceps
decides to spend a night in the house - why? To drink, have sex and walk around
aimlessly in slow-motion of course. But then hell breaks loose when the ghost
(?) of the little boy comes back in the form of a grown man and starts killing
them with a big (well...) sledgehammer!
Ah, the
glory days of slashers. So easy to write a script. Nowadays they want twists, a
little bit of character development and shit like that. In all honestly,
Sledgehammer is actually not bad at all. Sure, it's very cheap and even more
stupid, but David A. Prior manages to create an OK atmosphere (...and some
truly odd editing choices - just wait until you experience the looooong
slow-motion walk outside. Never seen anything like it...) and a couple of
graphic gruesome deaths. I'm not sure I can find ANY competent acting here, but
all the actors all look good in front of the camera and probably also generated
some sexual tension between each others during the shoot. But that's just my
imagination.
The gore is
cheap, but I've seen more famous and more respected "gory" slashers
with less gore. It does the job well without being overly spectacular or
fantastic. I didn't know the whole movie was shot in Prior's apartment, so I bought
the concept that this was an old farm house - just very simply furnished and
with white, boring walls everywhere - and no windows. And just totally
different than a big, old-school farm house. But I'm easy to fool and that
makes me a good audience.
If you're
ready for zero budget trash, shot-on-video and with amateurish acting -
Sledgehammer is something for you!
(and the disc is still stuck in my player...)

3 comments:
Great review! And odd timing, I was planning on reviewing it myself sometime this week. Even referenced it in a recent review for another movie put out by Intervision. I love Sledgehammer's hazy atmosphere. It feels so removed from reality that it's hard not to just fall in love with this movie. Also notable, the main actor, Ted Prior (probably the director's brother) was in an amazingly bad action movie called Deadly Prey. If you haven't seen it I think you'd dig it. Like A LOT.
"Ah, the glory days of slashers. So easy to write a script. Nowadays they want twists, a little bit of character development and shit like that."
Yeah...that´s the problem with this genre now....the audience demands more surprises....Oh have you seen the corman doc yet..?
I saw the other day...pretty ok...some flaws but a true celebration of Corman and a crying Jack Nicholson!
Fine review. Good to see the slow motion walking getting recognized for its brilliance.
It's obviously stuck in your player because it likes it in there. Warm and tight.
That's enough from me.
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